Jean Reed Norona talks about her childhood growing up in Port Norris, New Jersey and her family's oyster business Reed & Reed Oystering, Co. including the oyster boats they owned. She describes the rechristening of the Schooner CASHIER in 1949 and her history as the longest, continuously operating commercial fishing boat in the US.

Joan Riggin Harper was born on February 7, 1924, in Millville, Cumberland County, New Jersey. Her father was John Cullen Riggin and her mother was Emily Fowler Bateman. Joan attended Port Norris Grammar School and later graduated from Port Norris High School in 1941. After high school, she attended a business school in Bridgeton, New Jersey, where she completed a one-year course. Joan's first job was typing deeds when the Army bought the airport ground in Millville. She later got married and had three children.

Jode Hillman, a professional decoy carver, has been in the profession for about seventeen years, with the last six years being professional. He specializes in making cedar decoys, which are primarily used for duck hunting. However, many people also collect these decoys as decorative items. Hillman's interest in the bay, duck hunting, and life on the marshes is deeply rooted in his family history. His father's family, the Hillmans, were avid fishermen who would often visit Fortescue for fishing trips during the weakfish boom years.

John Breslin, Jr. grew up in South Jersey, where both his parents were raised and worked in the Millville, New Jersey area mother,  His mother, Mabel Banks Holt, worked as an office manager for the shucking house F.F. East Co., Inc. in Maurice River Township, New Jersey, from the 1930s to the early 1950s. She traveled across the country for business with oyster wholesalers and clients. After F.F. East's death, Mrs. Holt took charge of the shucking house. Mr. Breslin taught history at Port Norris Elementary School from 1952-57.

Mr.

Louis Peterson is a seasoned oysterman with a rich history in the oyster industry. Born into a family with a long lineage of oystermen, Peterson represents at least the fourth generation of his family to work in the industry. He is a recognized figure in the National Register of folklore in Washington, DC, known for his extensive knowledge and history of the oyster industry. Peterson is also a skilled craftsman, having built machines for the oyster industry and having a deep understanding of the tools used in oyster harvesting, such as oyster tongs.

Mr. Rankin explains how he got his start in the fishing business. Unlike many who end up in the fishing business he learned the trade later in life. Rankin mentions he fished once or twice when he was young but trapping was a much bigger deal. He got into the fishing business after he got out of the military and settled down with his wife. He became friends with a man who was much older than him (about 20 years older) who taught and introduced the trade.

Mrs. Bienkovitz shares memories of her childhood growing up in Bivalve, NJ. She was the daughter of Daniel Henderson, a waterman from Bivalve. She gives detail what kind of man and worker her father was and describes the oyster industry during the time frame 1930's to 1950's.  She discusses the lifestyle during her childhood, the homes and who lived in them along with identifying building where businesses were located and who were the proprietors.

Myrtle Gordonier is the widow of Charlie Johnson, Jr., the son of the one-time owner (Charles Johnson, Sr.) of the oyster schooner Cashier. She has deep historical ties to the Cashier, a significant boat, and the local oyster industry. She was married to the son of the owner of the Cashier, which places her at the heart of the oyster harvesting operations central to the area's economy.

Olin McConnell is a passionate storyteller and the grandson of Charles "Chillie" McConnell, a renowned artist. Born and raised in Port Norris, New Jersey, Olin developed an appreciation for his grandfather's artistic legacy from a young age. Growing up surrounded by McConnell's artwork and hearing tales of his grandfather's artistic endeavors, Olin developed a keen eye for detail and a profound understanding of the impact of art on communities. Olin became a knowledgeable and enthusiastic advocate for preserving his grandfather's artistic contributions.