Barbara Merry

Location of Interview
Collection Name

The Working Waterfront Festival Community Documentation Project

Description

The Working Waterfront Festival Community  Documentation Project is an ongoing oral history project documenting the history and culture of the commercial fishing industry and other port trades. The project was begun in 2004 in conjunction with the Working Waterfront Festival, an annual, education celebration of commercial fishing culture which takes place in New Bedford, MA. Interviewees have included a wide range of individuals connected to the commercial fishing industry and/or other aspects of the port through work or familial ties. While the majority of interviewees are from the port of New Bedford, the project has also documented numerous individuals  from other ports around the country. Folklorist and    Festival Director Laura Orleans and Community Scholar/Associate Director Kirsten Bendiksen are Project Leaders. The original recordings reside at the National Council for the Traditional Arts in Maryland with listening copies housed at the Festival's New Bedford office.

Interviewer
Date of Interview
09-23-2007
Transcribers

Janice Gadaire Fleuriel

Transcript
Biographical Sketch

Barbara Merry, also known as the "Marlinspike Artist," is a skilled rigger and knot enthusiast from Snug Harbor, Rhode Island. She was born in Spokane, Washington, and raised in Newport Beach, California, where her father owned a wholesale/retail marine company. Growing up on a wood cruising boat, Barbara developed a love for ropework and knotting. She initially started with macramé for extra income but eventually switched to ropework after the decline of macramé. Barbara used Ashley's Book of Knots as her guide and began working on her own after getting divorced to be present for her daughter after school.

Scope and Content Note
Barbara traces her move from California to Rhode Island after her second marriage ended. She has spent the past twenty-five years living in Snug Harbor, immersing herself in the New England maritime atmosphere. She is passionate about teaching others and collaborates with a folklorist to find an apprentice to pass on her knowledge. Barbara emphasizes the importance of knots in the maritime world and teaches rope work and splicing to Merchant Marines. She also works as a marine purchasing agent but shifted to working from home after her divorce to be available for her daughter. Barbara operates her studio in Marion, Massachusetts, selling her creations online and teaching her craft. She participates in boat shows, creating items like tug boat fenders and chest beckets, which serve as occupational displays and badges of honor. Over the years, Barbara has witnessed improvements in attitudes towards women in her field. Although she faced initial challenges, she has earned high regard among her peers. She admires Donna Goodwin from the Splice Girls and acknowledges the artistry aspect of rope making. Barbara uses various materials like cotton, leather, and polyester in her work, considering factors like weather conditions that affect the quality of the rope. During the interview, Barbara showcases her knotting skills and mentions her collaboration with Captain Wheeler at Providence Steamboat. She recalls how gender didn't matter to Captain Wheeler and discusses the importance of respect in fostering collaboration. Barbara carries her tools in a small bag and expresses gratitude for her work, as she can take them with her anywhere. The conversation also covers the use of different types of ropes and how weather conditions impact rope-making. Barbara charges by the hour based on detailed bookkeeping to determine fair pricing. She considers herself a businesswoman, an artist, and a tradition bearer. Barbara's goal is to change the negative stereotypes associated with the fishing industry. She wants people to have a positive view of the industry and emphasizes the generosity and tidiness of those involved. Barbara believes that shows like "The Deadliest Catch" can help reshape public perceptions of the fishing industry. Overall, the interview with Barbara sheds light on her personal experiences as a woman in the boat industry, her passion for her work, and her efforts to challenge misconceptions about the fishing industry.


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